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Indie Films, Cinematic Gems & Acclaimed Directors
 
 
4 Ilya Khrzhanovsky

 

4
Directed by Ilya Khrzhanovsky
Russia

Ilya Khrzhanovsky's opening scene is a solid smack in the face that is sure to grab your attention. He introduces us to three characters who, when given the chance, reinvent their lives during a conversation that spans various political hot topics. These bar chums can't stop lying and the irony and humor runs aplenty. The film is rich with visual symbolism, the number 4 abounding, and the ending sums it up neatly. Basically, it's a very good package, a perfect provocation when you're in the mood for a good think.

 

  
 
Stray Dogs Marziyeh Meshkini
Stray Dogs
Directed By Marziyeh Meshkini
Iran/France
In this heartwarming and sometimes heartbreaking tale of endurance and love, a sister and brother are "night prisoners" at a jail where their mother is being kept on adultery charges (since she had remarried when her Taliban husband disappeared for five years during various wars). Her second husband dies, but the first husband returns and has her jailed (he himself is imprisoned by the Americans for being Taliban). At least the kids are able to stay overnight with the mother, while gathering wood and picking for articles from the dump during the day to make a living. Then the prison governor changes the rules and the kids are out on the street at night as well. In the meantime, they adopt a stray dog after rescuing it from a gang of kids who are tormenting it. The kids then proceed through a comedy of errors, trying to get caught stealing so that they can be sentenced to prison and rejoin their mother. A lot of this probably sounds bleak and depressing, but the spirit of the kids, their charming dog and their love for each other and their family lets this film rise above the harsh circumstances. Click on the image to buy now!
 
  
 
Voces Inocentes Luis Mandoki

Voces Inocentes
Directed By Luis Mandoki
Mexico
Set in El Salvador in the mid '80s, in the midst of the country's civil war, a young boy must decide between enlisting in the army or joining up with guerrillas. Director Luis Mandoki brings a professional, glossy touch to Innocent Voices while defiantly returning to his gritty, political filmmaking roots. This movie gives an unflinching look at the shattering effects of war on children who live directly in the line of fire. Yet it is also an unforgettable coming-of-age story in which one young boy manages to find the courage to keep his spirit alive in the midst of the terrible conflict ravaging his country. Innocent Voices treats an important and rarely explored subject - war recounted primarily from a child's perspective - with an adept lyricism. Mandoki has crafted a narrative rich in symbolism as we are reminded of the seemingly futile efforts of the most powerless people to stop the onslaught. In the end, the movie proves to be a resounding celebration of the small acts of resistance performed by ordinary citizens, no matter their age.
 
  
 
Lipstick & Dynamite, The First Ladies of Wrestling Ruth Leitman

Lipstick & Dynamite, Piss & Vinegar: The First Ladies of Wrestling
Directed By Ruth Leitman
America 
In the 1940s, carnival promoters looking to boost attendance lured teenage girls to join the traveling wrestling show. Athletic girls from the logging camps of the Northwest to the farms of Arkansas stepped into the ring with hopes of diamonds, furs and fame. And then they set out on the open road...alone. Enduring years of physical punishment, little pay and even less control of their careers, these formidable women blazed trails for today's hottest female wrestlers. Today's "dark angels" of pro wrestling, the Sables, Chynas and Trishes, stand on the shoulders of pioneers with names like Gladys "Kill 'em" Gillem, The Great Mae Young, and The Fabulous Moolah - pure entertainers who went from carnival acts to ring divas. A celebration of the lives of the formidable pioneers of women's wrestling, Lipstick & Dynamite, Piss & Vinegar: The First Ladies of Wrestling uses stunning archival footage of classic matches and 1950s B movie clips, combined with firsthand accounts of the "Golden Girls," the spirited referees, the rabid fans and the enterprising promoter, to shine a spotlight on the spectacular world of the first ladies of the ring. Click on the image to buy now!
 
  
 
Drums Zola Moseko

Drums
Directed By Zola Moseko
South Africa
In South Africa in the 1950s, young journalist Henry Nxumalo helped fashion the magazine Drum into an outspoken voice against the repressive and dehumanizing effects of apartheid. Director Zola Moseko tells his story, from the lively Harlem-esque nightlife of Sophiatown to the courageous infiltration of the farms and prisons outside of Johannesburg. The hero of Drum is the fun-loving, hard-drinking philanderer, Nxumalo, a magazine reporter. Nxumalo's enterprising reportage leads him into direct conflict with South Africa's apartheid machinery with fatal consequences. Those of us not intimately familiar with apartheid will find our eyes opened by the parallels to the civil rights struggles of our own country. At the same time, the story of Nxumalo makes for a compelling narrative, and Moseko tells it with honesty and compassion.
 
  
 


Nausicaa Hayao Miyazaki

 

 
 
Nausicaa
Directed By Hayao Miyazaki
Japan
This majestic work from acclaimed Japanese director Hayao Miyazaki represents a significant departure from traditional anime. Foregoing the gritty storylines, extreme violence and adult content found throughout many anime, Miyazaki's works borrow as much from fairytales as they do from science fiction. Nausicaa is no exception. Centuries after war has devastated the earth, Princess Nausicaa leads the people of the Valley of the Wind. Feuding clans fight with planes and tanks, as well as with swords, in a world that is both primitive and futuristic. Nausicaa is beautifully animated and written, and the moral to this ecological fable is difficult to miss. Click on the image to buy now!
 
  
 La Chambre Noire Hassan Benjelloum

La Chambre Noire
Directed By Hassan Benjelloun
Morocco
La Chambre Noire is a film based on the true story of a young ex-communist party member who is kidnapped, imprisoned and tortured for his long-lapsed leftist leanings. Hundreds of Moroccans were arrested arbitrarily or tortured by security agents in the '60s and '70s, known as the "Years of Lead" because of the heavy-handed rule of late King Hasan. Director Hassan Benjelloun captures the brutal truth in this movie and recounts, "This happened to countless people in Morocco. It happened to close friends of mine and to my cousin." Last December, an official truth commission opened to give victims of human rights violations an unprecedented platform.